Vittorio Storaro

Vittorio Storaro
Storaro at Cannes in 2001
Born (1940-06-24) 24 June 1940
EducationCentro Sperimentale di Cinematografia
Years active1960–2023
Organization(s)American Society of Cinematographers
Associazione Italiana Autori della Fotografia Cinematografica

Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940), is an Italian cinematographer, widely recognized as one of the best and most influential in cinema history.[1][2][3][4]

Over the course of 50 years, he has collaborated with directors like Bernardo Bertolucci[5], Francis Ford Coppola, Warren Beatty, Woody Allen, and Carlos Saura.

Storaro is one of three living people to have won the Academy Award for Best Cinematography three times, a position he shares with Robert Richardson and Emmanuel Lubezki.

Early life and education

Storaro in Camerimage Festival 23 in 2015, talking about how color affects people physically and psychologically

Born in Rome, Storaro is the son of a film projectionist.

He began studying photography at the age of 11, and at the age of 18, he went on to formal cinematography studies at the national Italian film school, Centro Sperimentale di Cinematografia.[6]

Career

Storaro's philosophy is largely inspired by Johann Wolfgang von Goethe's theory of colors, which focuses in part on the psychological effects that different colors have and the way in which colors influence our perceptions of different situations.[7]

He first worked with Bernardo Bertolucci on The Conformist (1970)[8]. He then worked on Dario Argento's first directorial feature The Bird with the Crystal Plumage (1970), which is considered a landmark in the giallo genre.[9]

With Francis Ford Coppola, Storaro could make his American film debut with Apocalypse Now (1979),[10] which earned him his first Academy Award for Best Cinematography.[11]

Storaro went to win two more Academy Awards in the 1980s, one with Warren Beatty's Reds (1981)[12], and one for Bertolucci's The Last Emperor (1987).[12][13]

In 2002, Storaro completed the first in a series of books that articulate his philosophy of cinematography.[14]

He was the cinematographer for a BBC co-production with Italian broadcaster RAI of Verdi's Rigoletto over two nights on the weekend of 4 and 5 September 2010.[15]

Though working primarily with film cameras, Woody Allen's feature Café Society (2016) was Storaro's first project to be shot digitally.[16]

In 2017, Storaro was honored with the George Eastman Award.[17] The same year he also attended the New York Film Festival at which he debated with Edward Lachman on cinematography and its transition from film to digital.[18]

With his son Fabrizio, he created the Univisium format system to unify all future theatrical and television movies into one respective aspect ratio of 2.00:1.[19] As of 2023, this unification has not happened, and the universal replacement of 4:3 televisions by large, wide-screen displays greatly reduces the need to modify scope-ratio films for home theater presentation.

Personal life

Storaro is known for stylish, fastidious, and flamboyant personal fashion. Francis Ford Coppola once noted, "Vittorio is the only man I ever knew that could fall off a ladder in a white suit, into the mud, and not get dirty."[20]

Filmography

Feature film

Year Title Director Notes
1962 Attack of the Normans Giuseppe Vari With Marco Scarpelli
1969 Youth March Franco Rossi
Delitto al circolo del tennis Franco Rossetti
1970 The Bird with the Crystal Plumage Dario Argento
The Conformist Bernardo Bertolucci
The Spider's Stratagem With Franco Di Giacomo
1971 The Fifth Cord Luigi Bazzoni
'Tis Pity She's a Whore Giuseppe Patroni Griffi
1972 Last Tango in Paris Bernardo Bertolucci
1973 Malicious Salvatore Samperi
Brothers Blue Luigi Bazzoni
Corpo d'amore Fabio Carpi
Giordano Bruno Giuliano Montaldo
1974 The Driver's Seat Giuseppe Patroni Griffi
1975 Footprints on the Moon Luigi Bazzoni
Mario Fanelli
1976 1900 Bernardo Bertolucci
Submission Salvatore Samperi
1979 Agatha Michael Apted
Apocalypse Now Francis Ford Coppola
Luna Bernardo Bertolucci
1981 Reds Warren Beatty
1982 One from the Heart Francis Ford Coppola With Ronald Víctor García
1985 Ladyhawke Richard Donner
1987 Ishtar Elaine May
The Last Emperor Bernardo Bertolucci
1988 Tucker: The Man and His Dream Francis Ford Coppola
1990 Dick Tracy Warren Beatty
The Sheltering Sky Bernardo Bertolucci
1992 Tosca Brian Large
1993 Little Buddha Bernardo Bertolucci
1996 Taxi Carlos Saura
1998 Bulworth Warren Beatty
Tango Carlos Saura
1999 Goya in Bordeaux
2000 Mirka Rachid Benhadj
Picking Up the Pieces Alfonso Arau
2004 Zapata: el sueño del héroe
Exorcist: The Beginning Renny Harlin
2005 Dominion: Prequel to the Exorcist Paul Schrader
2008 The Trick in the Sheet Alfonso Arau
2009 I, Don Giovanni Carlos Saura
2010 The Trick in the Sheet Alfonso Arau
2012 Parfums d'Alger Rachid Benhadj
2015 Muhammad: The Messenger of God Majid Majidi
2016 Café Society Woody Allen
2017 Wonder Wheel
2018 A Rose in Winter Joshua Sinclair
2019 A Rainy Day in New York Woody Allen
2020 Rifkin's Festival
2021 The King of All the World Carlos Saura
2023 Coup de chance Woody Allen

Documentary film

Year Title Director
1994 Roma imago urbis Luigi Bazzoni
1995 Flamenco Carlos Saura
2010 Flamenco Flamenco

Television

Year Title Director
1971 Eneide Franco Rossi

Miniseries

Year Title Director Notes
1974 Orlando Furioso Luca Ronconi With Arturo Zavattini
1983 Wagner Tony Palmer
1986 Peter the Great Marvin J. Chomsky
Lawrence Schiller
2000 Frank Herbert's Dune John Harrison
2007 Caravaggio Angelo Longoni

TV movies

Year Title Director Notes
1992 Tosca: In the Settings and at the Times of Tosca Brian Large
Writing with Light: Vittorio Storaro David M. Thompson Documentary film
2000 La traviata Pierre Cavassilas
2010 Rigoletto a Mantova

Awards and nominations

Academy Awards

Year Category Title Result Ref.
1980 Best Cinematography Apocalypse Now Won [21]
1982 Reds Won
1988 The Last Emperor Won
1991 Dick Tracy Nominated

British Academy Film Awards

Year Category Title Result Ref.
1980 Best Cinematography Apocalypse Now Nominated [22]
1983 Reds Nominated [23]
1989 The Last Emperor Nominated [24]
1991 The Sheltering Sky Won [25]

American Society of Cinematographers

Year Category Title Result
1988 Outstanding Cinematography The Last Emperor Nominated
1991 Dick Tracy Nominated
2001 Outstanding Achievement in Cinematography in a Limited Series Dune Nominated
Lifetime Achievement Award Won

European Film Awards

Year Category Title Result Ref.
2000 Best Cinematography Goya en Burdeos Won [26]

Primetime Emmy Awards

Year Category Title Result
1986 Best Cinematography for a Miniseries or Special Peter the Great Nominated
2001 Frank Herbert's Dune Won

Cannes Film Festival

Year Category Title Result Ref.
1998 Technical Grand Prize Tango, no me dejes nunca Won [27]

International Film Festival of India

Year Category Result Ref.
2020 Lifetime Achievement Award Won [28]

British Society of Cinematographers

Year Category Title Result
1979 Best Cinematography Apocalypse Now Nominated
1988 The Last Emperor Won
1990 Dick Tracy Nominated

National Society of Film Critics

Year Category Title Result
1972 Best Cinematography The Conformist Won

New York Film Critics Circle Awards

Year Category Title Result
1987 Best Cinematography The Sheltering Sky Won
1990 The Last Emperor Won

Los Angeles Film Critics Association

Year Category Title Result
1981 Best Cinematography Reds Won
1988 The Last Emperor Won

George Eastman Award

Year Category Result
2017 Lifetime Achievement Award Won

Goya Awards

Year Category Title Result
1996 Best Cinematography Flamenco (de Carlos Saura) Nominated
1999 Tango, no me dejes nunca Nominated
2000 Goya en Burdeos Won

References

  1. ^ Kay, Jeremy (16 October 2003). "And the 11 most influential cinematographers of all time are..." Screen Daily. Retrieved 23 April 2019.
  2. ^ "Cinematographer Vittorio Storaro Warns of "Major Problem" in the Field". The Hollywood Reporter. 4 June 2016. Retrieved 22 April 2019.
  3. ^ "The 10 Most Visually Stunning Movies Shot by Vittorio Storaro". Taste of Cinema - Movie Reviews and Classic Movie Lists. 15 September 2015. Retrieved 23 April 2019.
  4. ^ Jones, Jonathan (9 July 2003). "Cinematographer Vittorio Storaro reveals his inspiration". The Guardian. ISSN 0261-3077. OCLC 900948621.
  5. ^ Pizzello, Stephen (6 July 2018). "Storaro and Bertolucci Celebrated at Milan International Film Festival". American Society of Cinematographers. Retrieved 23 April 2019.
  6. ^ "Back in Time: Vittorio Storaro AIC, ASC / The Early Life of Mohammed". British Cinematographer. 27 May 2015. Retrieved 23 April 2019.
  7. ^ "Cinematographer Vittorio Storaro, ASC, AIC personally details the richly hued artistic strategy he created to shoot Woody Allen's period drama". American Cinematographer. 30 November 2017.
  8. ^ Berardinelli, James (1994). "Review: The Conformist". ReelViews. Retrieved 23 April 2019.
  9. ^ Gallant, Chris (7 June 2018). "Where to begin with giallo". BFI. Retrieved 23 April 2019.
  10. ^ Pizzello, Stephen (24 August 2017). "Flashback: Apocalypse Now". American Cinematographer.
  11. ^ "Mighty Tome: Vittorio Storaro AIC ASC / The Art of Cinematography". British Cinematographer. 3 June 2015. Retrieved 23 April 2019.
  12. ^ a b "Cinematographer Vittorio Storaro: Master of Lights and Colors". italoamericano.org. 20 September 2016. Retrieved 23 April 2019.
  13. ^ Bob Fisher (2004). "Vittorio Storaro: Maestro of Light". ICG Magazine. International Cinematographers Guild. Archived from the original on 14 November 2017 – via scrapsfromtheloft.com.
  14. ^ Jones, Jonathan (9 July 2003). "Painting with light". The Guardian. Retrieved 23 April 2019.
  15. ^ Adetunji, Jo (25 July 2010). "Verdi's Rigoletto given 'cinematic' makeover for BBC". The Guardian. Retrieved 23 April 2019.
  16. ^ Giardina, Carolyn (15 July 2016). "Cinematographer Vittorio Storaro on Filming 'Cafe Society' Digitally: "You Can't Stop Progress"". The Hollywood Reporter. Retrieved 23 April 2019.
  17. ^ "Vittorio Storaro, ASC, AIC Honored with George Eastman Award". American Society of Cinematographers. 21 March 2017. Retrieved 22 April 2019.
  18. ^ Chris O'Falt (13 October 2017). "Digital Cinematography Smackdown: Vittorio Storaro and Ed Lachman Debate, With Love". IndieWire. Retrieved 23 April 2019.
  19. ^ Joe Foster (24 October 2017). "The remarkable rise of the Univisium 2:1 aspect ratio". RedSharkNews. Retrieved 23 April 2019.
  20. ^ Kees van Oostrum (2 January 2018). "President's Desk: Men in White Suits - The American Society of Cinematographers". American Cinematographer.
  21. ^ "Vittorio Storaro". Internet Movie Database. Retrieved 31 March 2020.
  22. ^ "Past Winners and Nominees – Film Nominations 1979". British Academy of Film and Television Arts. Retrieved 22 January 2008.
  23. ^ "Past Winners and Nominees – Film Nominations 1982". British Academy of Film and Television Arts. Retrieved 22 January 2008.
  24. ^ "Past Winners and Nominees – Film Nominations 1988". British Academy of Film and Television Arts. Retrieved 22 January 2008.
  25. ^ "Past Winners and Nominees – Film Nominations 1990". British Academy of Film and Television Arts. Retrieved 22 January 2008.
  26. ^ "European Film Awards 2000 – The Winners". European Film Awards. Archived from the original on 15 August 2007. Retrieved 20 January 2008.
  27. ^ "Festival de Cannes: Tango". festival-cannes.com. Festival de Cannes. Retrieved 17 July 2010.
  28. ^ Shekhar, Mimansa (16 January 2021). "IFFI 2021: Everything to know about the film festival". Indian Express.
General

Further reading

  • Masters of Light - Conversations with cinematographers (1984) Schaefer, S & Salvato, L., ISBN 0-520-05336-2
  • Writer of Light: The Cinematography of Vittorio Storaro, ASC, AIC (2000) Zone, R., ISBN 0-935578-18-8
  • Vittorio Storaro: Writing with Light: Volume 1: The Light (2002) Storaro, V., ISBN 1-931788-03-0