Robert Motum
Robert Motum | |
---|---|
Born | 1991 (age 33–34) Oshawa, Ontario |
Education | PhD, Theatre and Performance Studies, University of Toronto |
Occupation(s) | Playwright, researcher |
Known for | Expertise on micronations, site‑specific performance |
Website | robertmotum.com |
Robert Motum is a Canadian playwright and theatre creator.[1] He is noted for his background in site-specific performance[2] and for his academic research into micronations.
Personal life and education
Motum was born in 1991 in Oshawa, Ontario. He attended the University of Waterloo for his BA in Drama[3] and Aberystwyth University for his MA in Practising Performance.[4] He recently completed a PhD in performance studies at the University of Toronto[1] and currently teaches at the Rotman School of Management.
Theatre career
As a site-specific theatre practitioner, Motum has a history of staging new theatrical work outside of purpose-built auditoriums.[2] His 2013 play, Transience, was staged on an active Grand River Transit city bus as it circled its loop of Kitchener-Waterloo.[5] He has since staged work in public parks,[4][6] in a Queen Street art gallery,[7] inside a vacant Target store,[8] in a castle,[9] throughout the streets of Hamilton, Ontario,[10] and in augmented reality.[11] His work has been supported by the Stratford Festival, the Ellen Ross Stuart Opening Doors Award,[12] Outside the March[13] and others.
His verbatim play, A Community Target, is based on interviews with over 60 former employees of Target Canada and recounts the dramatic collapse of the retailer in the country. Staged inside a vacant Target store in Hamilton, Ontario, the piece garnered national[14][15] and international media attention.[16]
Academic scholarship
Motum has written about the ethics of site-specific performance and verbatim theatre for various academic publications including the Canadian Theatre Review and Theatre Research in Canada.[17] He is also a leading academic expert on micronations, having written extensively on their performative enactments of sovereignty and identity.[18] His research—featured in Digital Society,[19] The Routledge Companion to Cultural Texts and the Nation,[20] and The Drama Review—positions micronations as critical interventions in statecraft and citizenship. He has presented at international conferences, including MicroCon, and has appeared in documentaries on the topic.[21]
References
- ^ a b "Robert Motum". Centre for Drama, Theatre & Performance Studies. 2018-09-07. Retrieved 2023-05-25.
- ^ a b Motum, Robert (2022-11-01). "Performing in Public: Ethics of a Site-Specific Theatre Practice". Canadian Theatre Review. 192: 37–40. doi:10.3138/ctr.192.009. ISSN 0315-0836.
- ^ "Collecting the Ghosts of Waterloo and Staging our Memories". Alumni. 2016-04-22. Retrieved 2023-05-26.
- ^ a b "Memory book aims to touch community heart". therecord.com. 2017-02-06. Retrieved 2023-05-26.
- ^ WIP (2013-04-07). "Theatre review: Transience". Retrieved 2023-05-26.
- ^ Bueckert, Kate (September 30, 2016). "KW Guidebook uses personal memories to promote local attractions". CBC Kitchener-Waterloo. Retrieved May 26, 2023.
- ^ "Toronto Fringe: Art, friendship & astroturf in the quirky, edgy, hilarious The Grass is Greenest at the Houston Astrodome". life with more cowbell. 2018-07-11. Retrieved 2023-05-26.
- ^ "Soon you can watch a play about Target Canada's demise (from inside an old Target store)". www.blogto.com. Retrieved 2023-05-26.
- ^ Week, System Whitby This (2017-02-22). "Local playwrights a part of Trafalgar 24 in Whitby". DurhamRegion.com. Retrieved 2023-05-26.
- ^ "Bringing Little Africa back to life on Hamilton Mountain". The Hamilton Spectator. 2021-08-16. ISSN 1189-9417. Retrieved 2023-05-26.
- ^ "index". playthishamilton.com. Retrieved 2023-05-26.
- ^ tugrul. "2018 Winners of the Ellen Ross Stuart Opening Doors Awards Announced – Ontario Arts Foundation". Retrieved 2023-05-26.
- ^ "Outside The March A Community Target". Retrieved 2023-05-25.
- ^ Horgan, Colin (2016-02-24). "Target, the play: A fallen retailer becomes theatre". Macleans.ca. Retrieved 2023-05-26.
- ^ "Target Canada play marks a new stage in retailer's tale". thestar.com. 2016-03-01. Retrieved 2023-05-26.
- ^ "Ontario man writing play about the rise and fall of Target in Canada". CBC As It Happens. February 25, 2016. Retrieved May 26, 2023.
- ^ Motum, Robert (2021-10-01). "Reflections on a Verbatim Approach to Staging Age". Theatre Research in Canada. 42 (2): 293–299. doi:10.3138/tric.42.2.f03. ISSN 1196-1198.
- ^ "Opinion: As micronations know, the nation-state is a performance". The Globe and Mail. 2025-07-24. Retrieved 2025-07-28.
- ^ Hobbs, Harry; Hayward, Philip; Motum, Robert (2023-10-17). "Cyber Micronations and Digital Sovereignty". Digital Society. 2 (3): 44. doi:10.1007/s44206-023-00069-9. hdl:1959.4/103164. ISSN 2731-4669.
- ^ Motum, Robert (July 28, 2025). Scripted Borders: Constructing 'Nation' through the Performance of Micronationhood. Routledge. pp. 427–438.
- ^ Kowalski, Joe, Micronations (Documentary), Travis McHenry, Kevin Baugh, Substance, retrieved 2025-07-28