République du Croissant

Panneau Histoire de Paris : "The Press".

The République du Croissant (literally Republic of the Croissant) was a nickname for Paris's press district, akin to Fleet Street in London. The term originated late in the 19th century for the area between Réaumur and Opéra in the 2nd arrondissement which housed most of the major French newspapers of the time.[1] Several newspapers and press agencies retain premises in the area even today.

History

The district was centred on the junction between rue du Croissant and rue Montmartre, site of the café du Croissant, which on 31 July 1914 saw the assassination of Jean Jaurès, founder and director of L'Humanité. In the district major press businesses tried to establish rules and means for their economic development, such as issuing cards to those who delivered and resold newspapers.[2].

Not far from the Bourse and Grands boulevards, the district housed most of Paris' newspaper presses and newsrooms, where journalists and press barons set up organisations such as Edgar Monteil's Association syndicale professionnelle des journalistes républicains français (ASPJRF) [3] This was a boom era for the French press - in 1914 it was the most widely-read in the world with 244 copies for every 1,000 inhabitants.[4] and well-known reporters such as Pierre Giffard, Jules Huret, Gaston Leroux, Pierre Mille, Séverine and Fernand Xau.

At the time the French media scene was dominated by four daily newspapers published in Paris - Le Matin, Le Petit Parisien under Albert Londres and Jean Dupuy, Le Petit Journal and Le Journal.

Timeline

Other sites

Main presses under the Second Empire[5]

  • 16 rue du Croissant
  • 5 rue Coq-Héron
  • 123 rue Montmartre
  • 10 Rue du Faubourg-Montmartre
  • 41 rue Jean-Jacques-Rousseau
  • 12 Rue de la Grange-Batelière
  • 9 rue d'Aboukir
  • 20 rue Bergère

Under the Belle Époque the press district had around a hundred typographic presses of various sizes.[5]

Theatre, opera and food

The area was expanding in the 19th century, as it was outside the tax farmers' wall. As such, it gained prestigious restaurants, brasseries, theatres and opera houses.

The Théâtre national de l'Opéra-Comique set up Salle Favart on 28 April 1783 in the gardens of the Hôtel de Choiseul (Paris), on a site intended for the Caisse d'Escompte, then in 1801 merged with the neighbouring Théâtre Feydeau. In 1827 it moved next door to become the Théâtre des Nouveautés, Place de la Bourse, then in 1829 into the Salle Ventadour. On 13 February 1820 the duc de Berry's murder as he left the opéra de la rue de Richelieu opposite the Théâtre Louvois led Louis XVIII to order its demolition. The Opéra Le Peletier replaced it a year later in the gardens of the Hôtel Laborde, but burned down in 1873, a year before the opening of the Palais Garnier.

For dining there were Café Gobillard, Restaurant Champeaux, Brasserie Gallopin, Café Tortoni and Café des arcades, all around the Place de la Bourse, with La sole Marguery also on boulevard de Bonne-Nouvelle and the Maison Dorée under Casimir Moisson at 20 Boulevard des Italiens.

References

  1. ^ (in French) Passeurs culturels dans le monde des médias et de l'édition en Europe XIXe et XXe siècles), by Diana Cooper-Richet, Jean-Yves Mollier and A. Silem - (2005), p. 138.
  2. ^ (in French) Odile Krakovitch, extract from the Revue historique, no. 611 à 612, p. 800, 1999.
  3. ^ (in French) Laurent Martin, La presse écrite en France au XXe siècle, éditions Le Livre de poche, p. 47.
  4. ^ (in French) La presse écrite en France au XXe siècle, p. 52.
  5. ^ a b c d e f g h i (in French) « Le quartier de la presse à Paris », université Paris I Panthéon-Sorbonne.
  6. ^ (in French) Éric Le Ray, Marinoni : Le fondateur de la presse moderne (1823-1904), Éditions L'Harmattan, 2009, ISBN 978-2-2961-0031-2, p. 164.

Bibliography