Peire de Cols d'Aorlac

Peire's song in chansonnier C

Peire de Cols d'Aorlac (in French, Pierre de Cère de Cols)[1] was a troubadour from the Cantal.

Cols is a hamlet of Vic-sur-Cère, near Aurillac (Aorlac).[2] Peire's dates are uncertain.[3] His biography is almost wholly unknown, including whether he was a layman or cleric. The Duc de La Salle de Rochemaure identified him as either a brother or an uncle of Guillaume de Cère, canon of Clermont, and Jean de Cère, who in 1279 did homage to Count Henry II of Rodez for their shared lordship in Vic. This would make him a distant relative of the troubadour Peire Rogier.[1]

There is a single poem attributed to him, but the attribution is open to doubt.[2] Si co.l soleills nobles per gran clardat is a canso (love song).[4] It is preserved in the three troubadour chansonniers C, α and f. In the first two it is attributed to Peire, but in the last it is attributed to Rigaut de Berbezilh. The former attribution is more likely but the style of the poem is very similar to Rigaut's. Amelia Van Vleck writes that "imitation [of Rigaut] shades into adaptation". One of Rigaut's modern editors, Alberto Varvaro, speculates that the poem was written by Rigaut but "made the property" of Peire de Cols, possibly his jongleur. This would put Peire's activity in the mid-12th century.[5]

Si co.l soleills contains the earliest references to the legend of the salamander in European poetry. Peire likens himself to the salamander, "which is happy in fire and blaze", because the erotic desire inside of him is more pleasing the more it burns. Although claims about the salamander's imperviousness to fire go back to classical authors, the first author to claim that the salamander enjoyed being in fire was Augustine of Hippo.[6] Peire's salamander simile may have inspired the Tuscan poet Bondie Dietaiuti.[7] Besides comparing himself to a salamander, he compares love itself to the sun and his lover to a gyrfalcon.[1]

The Duc de La Salle de Rochemaure translated the poem into French.[8]

References

  1. ^ a b c Louis-Félix de La Salle de Rochemaure, Les troubadours cantaliens, Vol. 1 (Imprimerie Moderne, 1910), pp. 423–433.
  2. ^ a b Alfred Jeanroy, La poésie lyrique des troubadours (Slatkine Reprints, 1998), p. 405.
  3. ^ BEdT 337: Peire de Cols, d'Aorlac, Bibliografia Elettronica dei Trovatori, version 2.5 (2012), retrieved 12 July 2025.
  4. ^ BEdT 337,001: Si co.l soleills nobles per gran clardat, Bibliografia Elettronica dei Trovatori, version 2.5 (2012), retrieved 12 July 2025.
  5. ^ Amelia E. Van Vleck, Memory and Re-Creation in Troubadour Lyric (University of California Press, 1991), p. 67.
  6. ^ Berthold Laufer, "Asbestos and Salamander: An Essay in Chinese and Hellenistic Folk-Lore", T'oung Pao 16.3 (1915): 323.
  7. ^ Frede Jensen (ed.), Tuscan Poetry of the Duecento: An Anthology (Garland, 1994), p. xix.
  8. ^ Louis-Félix de La Salle de Rochemaure, Les troubadours cantaliens, Vol. 2 (Imprimerie Moderne, 1910), pp. 534–541.

Further reading

  • Lazzerini, L. (2006). "Zoonimi e cruces interpretative nella lirica dei trovatori: i casi di Marcabru e Peire de Cols". Cultura Neolatina. 66: 7–44.
  • Lazzerini, L. (2006). "Romanzi arturiani e lirica d'oc: casi problematici d'intertestualità, tra animali misteriosi e perfide donzelle". In Margherita Lecco (ed.). Materiali arturiani nelle letterature di Provenza, Spagna, Italia. Edizioni dell'Orso. pp. 41–71.
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