Marcello Magni
Marcello Magni (1959–2022) was an Italian actor and theatre director. Magni notably co-founded the Théâtre de Complicité in London and worked extensively with Peter Brook at Théâtre des Bouffes du Nord in Paris. Magni's international stage work included productions with the Royal National Theatre, the Almeida Theatre, Shakespeare's Globe, and the Royal Shakespeare Company. He was nominated for the Olivier Award for The Street of Crocodiles at the National Theatre.
Early life and education
Magni was born in Bergamo, Lombardy, Italy in 1959.[1] He trained at École Internationale de Théâtre Jacques Lecoq and under Philippe Gaulier at École Philippe Gaulier, both in France.[2] Additionally, he studied with Dario Fo, Giorgio Strehler, Pierre Byland, and Monika Pagneux. While studying in France, Magni first met Complicité co-founders Simon McBurney, Fiona Gordon, and Annabel Arden.[3]
Career
Theatre
In 1983, Magni co-founded Théâtre de Complicité alongside McBurney, Gordon, and Arden.[4] He worked with the company for over 25 years.[3] Complicité went on to become an influential and award winning theatre company. Magni co-created their debut plays A Minute Too Late and More Bigger Snacks Now, the latter of which was directed by Neil Bartlett. In 1985, they won the Perrier Comedy Award at the Edinburgh Fringe Festival and also played the Donmar Warehouse.[4] Complicité embarked on world tours of their work, where Magni played devised, directed, and appeared in many productions, played numerous roles including Autolycus in The Winter's Tale.[5] 1988, the Almeida Theatre in London's season dedicated to Complicité's work, won their first Olivier Award.[6] Their staging of Dürrenmatt's The Visit was quoted by Peter Brook to be "better than his own."[7] The season at the Almeida became hugely influential to British Theatre and inspired the creation of other theatre companies including Told By An Idiot.[8]
In 1993 and 1994, Magni and Complicité collaborated with Richard Eyre at the Royal National Theatre on The Street of Crocodiles, for which he was personally nominated for the Olivier Award for Best Choreographer, and Out of a House Walked a Man. In 1993, Magni starred at the National in Pierre de Marivaux's The Game of Love and Chance.[9] He starred as Scapino in the Tennessee Williams play The Rose Tattoo opposite Kathryn Hunter at the Theatre Clywd in 1995.[10] In 1996, Magni and Hunter directed 15th-Century morality play Everyman for the Royal Shakespeare Company.[11] At Shakespeare's Globe, Magni starred in many plays including The Merchant of Venice (1998), Comedy of Errors(1999), and Pericles (2005) as well as working as a director and movement director.[12] He appeared in Red Demon at the Young Vic and in Japan,[13] The Birds at the National Theatre,[14] Heart-Cards for Robert Lepage's Ex Machina,[15] Mother Courage at Shared Experience,[16] King Lear at Leicester Haymarket,[17] and Tell Them That I am Young and Beautiful for Arcola Theatre.[18]
In 2003, Magni starred in a one man show, Arlecchino, which started at the BAC in London and toured Italy.[19]
Magni had a long collaborative relationship with director Peter Brook, working together at Théatres des Bouffes du Nord in Paris on many productions including Happy Days, Fragments, The Magic Flute, The Valley of Astonishment, and as Ariel and Stephano in The Tempest.[20] In regards to Magni's performance as Ariel, Brook noted Magni's ability to be 'light in movement, profound in feeling' as a 'quality in the character I've been seeking for years.'[7] Magni is featured as an actor in Brook's film The Tightrope.[21] Magni's work with Brook led him to Theatre for a New Audience in New York City, where he appeared in multiple productions.[22]
In 2022, Magni and Hunter appeared together in Ionesco's The Chairs at the Almeida Theatre.[23] The show received rave reviews and a sold out run with The Guardian described the production as "spine-tingling good."[24]
Screen
On film he appeared in Mike Leigh's Mr. Turner (2014), Rob Marshall 's Nine (2009), Steve Barron's The Adventures of Pinocchio (1996). He appeared in Doctor Who: the Eleventh Hour, The Tudors, and The Virgin Queen. Magni was the voice of Pingu and a dozen other characters in the animated series Pingu.[5][7]
Personal life
Magni was married to actress Kathryn Hunter, with whom he was a frequent collaborator. Magni and Hunter met in the 1980's working together at Complicité.[25] They remained married until Magni passed away in 2022, at the age 63 of prostate cancer.[7]
References
- ^ "HOW WE MET". The Independent. 1997-03-02. Retrieved 2025-08-10.
- ^ Woof, Emily; Irvine, Lindesay (2024-05-29). "The play that changed my life: Complicité's A Minute Too Late was a matter of life and death". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ a b "Marcello Magni". Complicité. 2022-09-30. Retrieved 2025-08-10.
- ^ a b "The Works: Complicite | Total Theatre Magazine Print Archive". totaltheatre.org.uk. Retrieved 2025-08-10.
- ^ a b Wiegand, Chris (2022-09-19). "Theatre world pays tribute after death of Marcello Magni". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ "Olivier Winners 1988". Olivier Awards. Retrieved 2025-08-10.
- ^ a b c d Coveney, Michael (2022-09-27). "Marcello Magni obituary". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ "Paul Hunter: Marcello Magni was a revelation – British theatre is poorer without him". The Stage. Retrieved 2025-08-10.
- ^ "CalmView: Overview". catalogue.nationaltheatre.org.uk. Retrieved 2025-08-10.
- ^ "THEATRE / Overdoing the wise guise: Wiseguy Scapino - Theatre Clwyd,". The Independent. 1993-05-12. Retrieved 2025-08-10.
- ^ "THEATER REVIEW; A Lively, Modern Step on That Not-So-Dreadful Journey (Published 1998)". 1998-06-04. Retrieved 2025-08-10.
- ^ "Marcello Magni | Shakespeare's Globe". Shakespeare's Globe. Retrieved 2025-08-10.
- ^ Billington, Michael (2003-02-04). "Red Demon". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ Billington, Michael (2002-07-29). "The Birds". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ Brennan, Clare (2014-06-14). "The Valley of Astonishment review – a treat for the senses". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ Lee, Veronica (2000-03-21). "Mummy dearest". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ "Stage History | King Lear | Royal Shakespeare Company". www.rsc.org.uk. Retrieved 2025-08-10.
- ^ Sell, Daisy Bowie (2011-09-19). "Tell Them That I Am Young and Beautiful, Arcola Theatre, review". The Telegraph. Retrieved 2025-08-10.
- ^ Gardner, Lyn (2003-04-15). "Arlecchino". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ "Star Directors Pull Back the Curtain on How They Work (Published 2020)". 2020-02-20. Retrieved 2025-08-10.
- ^ "Do Not Look Down in This Class (Published 2014)". 2014-01-30. Retrieved 2025-08-10.
- ^ "Review: In a Double Bill of Physical Comedy, Laughter Is the Best Reflex (Published 2017)". 2017-11-02. Retrieved 2025-08-10.
- ^ Lukowski, Andrzej. "The Almeida Theatre's new play is the delightfully weird farce 'The Chairs'". Time Out London. Archived from the original on 2023-09-30. Retrieved 2025-08-10.
- ^ Akbar, Arifa (2022-02-11). "The Chairs review – slapstick sadness from a spine-shiveringly good duo". The Guardian. ISSN 0261-3077. Retrieved 2025-08-10.
- ^ "How We Met: Simon McBurney & Kathryn Hunter". The Independent. 2011-09-03. Retrieved 2025-08-10.