Irma Adlawan

Irma Adlawan
Adlawan in 2013
Born	Irma Santonil Adlawan (1962-03-07) March 7, 1962[1] Tondo, Manila, Philippines
Alma mater	St. Mary Magdalene School,[2] University of the Philippines
Occupation	Actress
Years active	1978–present
Agent	Viva Artists Agency (since 2021)
Notable work	Transit Oro
Spouse	Dennis Marasigan (separated)
Children	4

Irma Santonil Adlawan (born March 7, 1962) is a Filipino actress. Regarded as one of the most accomplished actresses of her generation, she is recognised for her versatile work across stage and screen. She began her career performing on stage with the drama company Tanghalang Pilipino in the 1990s and later expanded into acting through independent and mainstream productions. Adlawan has received numerous accolades, including four Aliw Awards, a FAMAS Award, a Metro Manila Film Festival Award, and a Young Critics Circle, in addition to nominations for five Gawad Urian and three Luna Awards.^[3][4][5]

Adlawan was born in Tondo, Manila, the daughter of Conrada Santonil, a housewife, and Pedro Adlawan, a retired colonel.^[2] She attended St. Mary Magdalene School^[2] in Cavite and became a student of Speech and Drama at the University of the Philippines–Diliman, having transferred from its Manila campus.^[6]

Her first stage role was Helena from Shakespeare's A Midsummer Night's Dream, which she performed for Dulaang UP in 1983 under the direction of its founder, Tony Mabesa. He had asked her to audition, and she was subsequently cast.^[7] From then on she had become a regular of Dulaang UP, starring in productions such as Chekhov's Three Sisters, Betti's The Queen and the Rebels, Fay and Michael Kanin's Rashomon, and Molière's The Misanthrope, as well as a multitude of other plays.

After UP, Adlawan became a member of Tanghalang Pilipino's Actors Company from 1991 to 1998, performing in numerous stage plays. Some of her most notable roles include a Chinese film producer, based on Regal Films matriarch Mother Lily Monteverde in Dennis Marasigan's Ang Buhay Ay Pelikula; Zafira in Francisco Balagtas' Orosman at Zafira; Sisa in the Cayabyab-Lumbera musical adaptation of José Rizal's Noli Me Tangere; and Teodora Alonso in Nonon Padilla and Rene O. Villanueva's Teodora. For Ang Buhay Ay Pelikula she was cited as Best Actress of the Year by the Young Critics Circle in 1992, while for Teodora her performance as the mother of Philippine hero José Rizal was praised by National Artist for Dance Leonor Orosa-Goquingco for "[accomplishing] her histrionic feat, her splendid tour de force [with such ease, passion, range, verisimilitude and transparency]."^[8]

Some of Adlawan's early mainstream film roles include a victim of incestuous rape in Jeffrey Jeturian's Tuhog in 2001 and a public school teacher in Mga Munting Tinig in 2002, both of which earned her a Best Supporting Actress nomination at the Gawad Urian Awards.^[9] Three years later, in 2005, during the advent of digital cinema, she starred in three independent films: ICU Bed #7, where she played Eddie Garcia's daughter; Sa North Diversion Road, which had been adapted for film and had her reprising her role from mid-90s theatre alongside John Arcilla, where they played 10 different couples dealing with infidelity; and Mga Pusang Gala, based on the Palanca award-winning screenplay by Rody Vera and Jun Lana, where she played the role of Marta, a single middle-aged advertising practitioner.^[9] She received Best Actress nods for her performances in Sa North and Mga Pusang Gala. She continued to act in indies, playing lead and supporting roles from 2006 onwards. Her performance as Aling Carmen in Ataul: For Rent in 2007 earned her a FAMAS Best Supporting Actress award.

Her early television credits include appearances in Cecile Guidote-Alvarez's Balintataw, Behn Cervantes' Angkan, and Mario O'Hara's Mama. Later on, she would appear frequently in primetime teleseryes such as Sa Dulo Ng Walang Hanggan, Kay Tagal Kang Hinintay, Mga Anghel na Walang Langit, and Encantadia. In 2006, she was cast in the recurring role of Imelda Magsaysay, the mother of Celine Magsaysay (played by Anne Curtis), in the highly successful ABS-CBN teleserye, Maging Sino Ka Man. Her other TV credits include Clara Rivero in Lobo, Margarita Fortalejo-Cervantes in Precious Hearts Romances Presents: Kristine in 2010, Mantal in Amaya in 2011, and numerous guest appearances in ABS-CBN and GMA Network's respective drama anthologies, Maalaala Mo Kaya and Magpakailanman.

While regularly appearing in teleseryes and acting in independent films, Adlawan continued to perform on the stage, and in 2008^[10] she was inducted into the Aliw Awards Hall of Fame for her three Best Stage Actress wins in 100 Hundred Songs of Mary Helen Fee, Speaking in Tongues, and Ang Pokpok ng Ohio. That same year, she starred in Tanghalang Pilipino's production of David Henry Hwang's The Golden Child and alternated with Missy Maramara as Desdemona in Tanghalang Ateneo's adaptation of Shakespeare's Othello. The following year, in 2009, she portrayed the role of Candida Marasigan—which she would continue to reprise four more times in the next five years—in Nick Joaquin's A Portrait of the Artist as Filipino in a staging by Repertory Philippines.

That same year, Adlawan starred in Alvin Yapan's Cinemalaya film Ang Panggagahasa Kay Fe, for which she received another Best Actress nomination at the Gawad Urian Awards. She also reprised her role as Baby Magtalas, the mother of Laida Magtalas (played by Sarah Geronimo) in the sequel of A Very Special Love, You Changed My Life. In 2010, she starred in the Cinemalaya film Vox Populi, playing the role of Connie de Gracia, a politician's daughter running for office. In the following years, she returned to Dulaang UP by way of Wilfrido Ma. Guerrero's Forsaken House and again reprised her role as Baby Magtalas in It Takes a Man and a Woman. She also appeared in ABS-CBN's Got to Believe as Joaquin's nanny, Yaya Puring and Be Careful With My Heart as Vicky Reyes, Maya's adviser. Adlawan was also cast as Principal May, the corrupt principal of a public school in Titser, a miniseries produced for GMA News and Public Affairs.

At the 9th Cinemalaya Film Festival, she received a Balanghai Trophy for Best Actress in the New Breed Category for her performance in Transit as Janet, an OFW working in Israel "struggling to keep her family together amid threats of cultural dislocation."^[11] She also received a Special Jury Citation for Ensemble Acting which she shares with Ping Medina, Jasmine Curtis-Smith, Mercedes Cabral, Marc Justine Alvarez, and Yatzuck Azuz.

In 2014, she starred in Ronnie Lazaro's directorial debut Edna, a film that again tackles the stories of OFWs. She played the role of Edna dela Costa, a Filipino caregiver returning home to find a changed family. Adlawan was also part of The Janitor, an entry in the Directors Showcase category of Cinemalaya X. Later in the year, she joined the cast of Liza Soberano and Enrique Gil's launching teleserye Forevermore, as Mirasol, one of the farmers in their community and a maternal figure to Soberano's character, Agnes.

In 2015, she continued to appear in ABS-CBN and GMA's drama anthologies, as well as their seasonal television specials and was cast in supporting roles in several films, including Sleepless, a QCinema Film Festival offering and Walang Forever, an entry to the 41st Metro Manila Film Festival. In October of the same year, she returned to the stage, with much critical acclaim, through Tanghalang Pilipino's Mga Buhay na Apoy, Kanakan-Balintagos' Palanca-award winning play. Adlawan was also cast in Destiny Rose as Bethilda Vitto, one of the show's antagonists. She also received a Best Supporting Actress nod for her performance as Mirasol in Forevermore at the 29th PMPC Star Awards for Television.

The following year, Adlawan took home the Gawad BUHAY! award for Outstanding Lead Female Performance in a Play for her performance as Soledad Santos in Mga Buhay na Apoy. She continued to appear in various television shows and movies and made a return to the Virgin Lab Fest stage in Kanakan Balintagos' Loyalist. Later in the year, Adlawan eventually replaced Nora Aunor in the Metro Manila Film Festival entry, Oro, and ultimately went on to win a Best Actress award for it.

Adlawan is regarded as one of the most accomplished and respected theater actors in the Philippines.^[12][13][14] She has appeared in numerous Shakespearean adaptations and modern realist masterpieces of world theater. She was inducted into the Hall of Fame of Aliw Awards for her winning performances in 100 Songs of Mary Helen Fee (2001), Speaking in Tongues (2004), and Ang Pokpok ng Ohio (2005).^[15] Writing for TheaterFansManila.com, Nikki Francisco praised her performance in the staging of Makbet in 2017, describing her as an actress "on a league of her own."^[16] in the mid 1990s, Adlawan branched into acting on screen. Her performances in independent productions have earned her the moniker "Queen of Independent Cinema".

Writing for the Philippine Entertainment Portal, Jocelyn Valle opined that Adlawan's performance in the drama film Edna (2014) was effective and praised her ability to create her character with "believability, consistency, and sympathy".^[17]

Adlawan married actor/writer/director Dennis Marasigan, whom she met during their time at the UP and with whom she has four children. He has directed her in several of his films: Sa North Diversion Road, Tukso, and Vox Populi. They are separated.^[18]

*: shared with Ping Medina, Jasmine Curtis-Smith, Mercedes Cabral, and Marc Justine Alvarez.

• Irma Adlawan at IMDb