Hyōgen no jiyū senshi
Hyōgen no jiyū senshi (表現の自由戦士, lit. 'Freedom of expression warrior') are netizens in Japan who defend freedom of expression with anti-feminism, anti-left,[1] pro-otaku, pro-pornography ideological leanings.[2][3][4]
Origins
The term originated from social justice warriors and was initially used pejoratively to describe those opposed to progressive views.[5] Eventually, influencers, including Aron Seishiki, who was held liable in court for slandering feminist Yumi Ishikawa, began to use the term to refer to themselves.[6]
Views
Hyōgen no jiyū senshi often act as a counter-protester when there are protests on Japanese social media about the representation of women in manga, anime, and games, and they take the side of creators and anime production companies by coming together to express support for freedom of expression. They cite Article 21 of the Japanese Constitution as the basis for their argument, and argue that these media creations, including hentai, should be protected to the maximum extent possible. They call their opponents Twifemi (ツイフェミ, lit. 'Twitter feminists'), mobilize cancel culture against otaku culture, and try to explain why attempts to censor expression are wrong.[7] This controversial movement often escalates into smear campaigns and legal battles against feminists.[6]
They also oppose political correctness and believe that people should speak their true, honest thoughts as human beings.[8] Naoya Fujita, an associate professor at the Japan Institute of the Moving Image, called them freedom of expression fundamentalists.[9]
History
Hyōgen no jiyū senshi have been active since around 2014. They have fought against feminists who claim that advertisements are sexist in cases such as the creation of a poster for No-Rin in Minokamo, Gifu in November 2015, the use of Kizuna AI on the NHK website in October 2018, the depiction of Uzaki-chan Wants to Hang Out! on a poster for the Japanese Red Cross Society in October 2019, the depiction of characters from Love Live! Sunshine!! on a poster in Numazu, Shizuoka in February 2020, and the depiction of characters from Tawawa on Monday on an advertisement in the Nikkei in April 2022.[6][10] The movement is seen as part of a culture war in Japan.[11]
With Ken Akamatsu in mind, Shuichiro Sarashina said that the Hyōgen no jiyū senshi elected a moe manga artist in order to reflect their views in politics.[12] In 2022 Japanese House of Councillors election, Akamatsu ran on the principle of freedom of expression in his election campaign and won with 528,053 votes from across the country.[13]
See also
References
- ^ Tachibana, Akira (March 19, 2024). テクノ・リバタリアン 世界を変える唯一の思想. Bungeishunjū. pp. 82–83. ISBN 978-4-16-661446-2.
- ^ Sekai 2023 June no.970. Iwanami Shoten. May 8, 2023. p. 87.
- ^ Shida, Yoko (October 17, 2023). "性的コンテンツの「表現の自由」どう守る 理想は「良心的な歯医者」". Asahi Shimbun. Retrieved July 26, 2025.
- ^ Botz-Bornstein, Thorsten, ed. (July 3, 2025). Tracking Global Wokeism. Brill. p. 282. ISBN 978-9-00-472779-3.
- ^ Yamaguchi, Hiroshi (May 27, 2019). "自粛反対論と「戦士」の黄昏". Synodos. Retrieved July 26, 2025.
- ^ a b c Ito, Masaaki [in Japanese] (April 28, 2025). "「表現の自由戦士」たちの戦い、その背景とイデオロギー". 現代思想 2025年5月号 特集 「表現の自由」を考える ヘイトスピーチ、ネット炎上、そして「トランプ2.0」. Seidosha: 122–134. ISBN 978-4-79-171481-0.
- ^ Sakatsume, Shingo (July 1, 2020). 「許せない」がやめられない SNSで蔓延する「#怒りの快楽」依存症. Tokuma Shoten. p. 197. ISBN 978-4-19-865111-4.
- ^ Sugita, Shunsuke (January 7, 2023). 文藝 2023年春季号. Kawade Shobō Shinsha. p. 135.
- ^ Fujita, Naoya (July 3, 2024). 現代ネット政治=文化論. Sakuhinsha. p. 44. ISBN 978-4-86-793037-3.
- ^ Gonoi, Ikuo (June 6, 2023). "キャンセルカルチャーを奪い返す 「表現の自由戦士」は正しいか". Mainichi Shimbun. Retrieved July 26, 2025.
- ^ Naoya Fujita (2024), p. 67.
- ^ Sarashina, Shuichiro (August 18, 2022). サイゾー2022年8・9月号. Cyzo. p. 121.
- ^ "漫画家・山本直樹はなぜ反表現規制論者に冷ややかなのか【前編】". Core Magazine. December 27, 2022. Retrieved July 26, 2025.
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