After Cézanne
After Cézanne | |
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Artist | Lucian Freud |
Year | 1999–2000 |
Medium | Oil on canvas |
Dimensions | 232.2 cm × 232.2 cm × 16 cm (91.4 in × 91.4 in × 6.3 in) |
Weight | 165 kg |
Location | National Gallery of Australia |
Accession | 2001.36 |
After Cezanne is a large, irregular shaped, obtuse painting done in oils on canvas, begun in 1999 and completed in 2000 by the British artist Lucian Freud.[1] The top left section of this painting has been 'grafted' on to the main section below, and closer inspection reveals a horizontal line where these two sections were joined.[2]
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The painting is one in a select group of canvases where Freud engages in a dialogue with past masters, this work being a variation on a theme of the work L'Après-midi à Naples ('Afternoon in Naples'; circa 1875) by the French Post-Impressionist painter Paul Cézanne.[1]
In 2001 the work was purchased by the National Gallery of Australia in Canberra, which also owns Cézanne's L'Après-midi à Naples,[3] for $7.4 million.[4][5] The decision was somewhat controversial at the time, but this perception changed in 2008, when Freud's painting Benefits Supervisor Sleeping sold for "just under [...] $35 million."[6]
See also
References
- ^ a b "Lucian Freud | After Cezanne". nga.gov.au. Archived from the original on 19 April 2021. Retrieved 25 April 2021.
- ^ "Lucian Freud - After Cézanne". National Gallery of Australia. Archived from the original on 23 December 2022. Retrieved 22 December 2022.
- ^ "International Paintings and Sculpture | l'Après-midi à Naples [Afternoon in Naples]". Archived from the original on 25 April 2021. Retrieved 25 April 2021.
- ^ ""AFTER CEZANNE" (review)". www.abc.net.au.
- ^ "Lucian Freud 1922 - 2011". 31 July 2011.
- ^ Eleven, Beck (15 May 2008). "Freud sleeper the stuff of dreams". The Age. Retrieved 9 August 2025.
External links
- Review of the painting by Adrian Searle in The Guardian
- Analysis by Kelly Richman-Abdou
- Paintings people complain about: Lucian Freud – podcast about the painting
- Article about the purchase of the painting by the NGA